Turn on the TV and you’ll see
an ad for the latest Mad Max film, “Fury Road”. It looks
exciting in the trailer – lots of explosions and impossible stunts. The trailer
has been edited for family viewing, so nobody dies.
But the film itself is filled
with death. The simplest way to create drama is to threaten death, and
Hollywood usually goes for simple. To keep up the tension for 120 minutes, the
threat of death must be constant, which means lots of killing.
I didn’t see the earlier Mad
Max films, because I think that Mel Gibson is a creep, and I won’t see this
one. I’m not a big fan of killing as entertainment, and that puts me out of the
current mainstream. The movie reviewer
for the Minneapolis Star Tribune, Colin Covert, loved “Fury Road”. He said
something about the film that surprised me – all that killing was “playful
fun”. Although the plot is based on “knocking off supporting characters by the
hundreds” and “endless carnage”, it’s “uproariously funny”. Colvert is not
alone. The reviewer for the New York Times,
A. O. Scott, was slightly more critical of “Fury Road”, but he gave the film 5
stars out of a possible 5, applauded the “enormous pleasure” of watching the
mayhem, and ended by saying, “It’s all great fun.” Seeing people die onscreen
is a good time.
Mass killing in movies is not
new. Just the other day I saw the first spaghetti western with Clint Eastwood, “A Fistful of Dollars”, from
1964. I like westerns and I like Eastwood’s laconic and nameless character.
Dozens of men are killed before our eyes. One scene shows the bad guy
machine-gunning a whole company of Mexican soldiers, and we see them die one by
one. Later he and his henchmen shoot their rivals as they emerge from their
burning home, one a time even more slowly, perhaps twenty of them. The bad guys
laugh, but they’re Mexicans, a bit of racism that was acceptable in 1964.
Although Clint himself shot about a dozen people, he always let them draw
first.
Fifty years later, killing is
fun for everyone. Buy some popcorn, say the reviewers, watch a lot of people
die, and have a great time.
I know the rate of violent
crime in the US has been falling. But
I can’t help thinking that we are systematically anesthetizing ourselves,
especially our young, to the real horror of death. Video games, which began
with colorful little men running around on screen, now feature eternal warfare.
Make a kill, get a thrill, do it again a hundred times.
Back when Clint Eastwood was
shooting Mexicans, our media and government said our culture was superior,
because, for example, Asians didn’t value life as we did. Our methods of
warfare in Vietnam demonstrated the irony of that claim. Now we don’t even
pretend to value life.
I haven’t lived everywhere,
but I have seen no other culture where killing people is so ubiquitously
presented as entertainment.
Turn on the news and there’s
more killing. Reporters put on serious faces, but they and their media bosses
pounce on any murder, any time, any place, to splash all over our screens. This
televised taste for blood assures any potential killer that he’ll get his 15
minutes of fame or more. The dominance of crime stories over all other types of news was already documented
in studies in the 1990s. Since then murder has come to dominate nearly all types of TV programming.
In 1993, the group National
Organization of Parents of Murdered Children launched an attempt to “alert
society to its insensitivity towards murder”, using the acronym MINE, Murder Is Not Entertainment. That effort has been a
dismal failure. Marketing murder makes millions. I can’t predict the long-term
effects to our society of the ubiquity of murder on screen. But they can’t be
good.
Steve Hochstadt
Jacksonville IL
Published in the Jacksonville
Journal-Courier, May 19, 2015