A visit to Ikea to buy a few
household items and on another day to the Bauhaus Museum opened my eyes to
another irony of modern history.
Ikea is the largest
furniture retailer in the world. It
was founded in 1943 by the young Swede Ingvar Kamprad, who named his mail-order
company after himself and his family farm. Fifteen years later he opened the
first Ikea store. Last year, nearly 400 mostly gigantic stores in 48 countries
sold about $40 billion worth of goods. Ikea is one of largest consumers of
commercial wood products in the world.
Ikea has been so successful
partly because of Kamprad’s use of the techniques of capitalism. Ikea stores
are laid out as labyrinths: once you enter, it is nearly impossible not to wind
your way along a predetermined path through countless rooms selling furniture
and products for every part of a house. Prices are remarkably low, because the
products are standardized and simply constructed. They are made in a few giant
factories scattered around the world, shipped in pieces in cleverly arranged
flat packages, and sold unassembled with clear instruction booklets and a few
necessary tools. In big cities in Europe and America, Ikea products can be
found in countless apartments.
Ikea has been a world leader
in promoting non-traditional family structures. A 1994 ad featured
two men shopping for a dining room table, probably the first TV ad in the US
with openly gay characters. It was shown only a few times, before conservatives
tried to organize boycotts and threatened to bomb Ikea stores. The company has
continued to feature non-traditional families in ads and catalogs around the
world.
Like many other global
concerns, Ikea uses international differences in tax structures to minimize
taxes. The stores are owned by a supposedly non-profit foundation seated in
Luxembourg and Liechtenstein. Various European organizations have criticized
Ikea for its tax avoidance policies. Ikea is a capitalist success story. Kamprad is one
of the richest people in the world.
Although Ikea promotional
materials like to discuss “the Ikea concept”, the idea of mass-produced,
affordable, functional products for everyday use was conceived after the First
World War by leftist radicals who rejected conventional ideas about art. In
Germany and Russia, revolutionary artists and architects attempted to combine
fine arts with practical crafts to produce beautiful and functional products
using modern technology and industrial materials. Schools of modern design were
founded to develop and teach innovative design techniques to improve the daily
lives of average people: Bauhaus
(loosely, “House of Construction”) in 1919 in Weimar, Germany, and Vkhutemas (acronym for "Higher Art and Technical
Studios") in 1920 in Moscow.
These schools and their staff
shared radical political and aesthetic ideas. Their founders were socialists
and communists, who focused their energies on improving working-class life by developing well-designed and affordable objects. They rejected the conventional separation between
high art for the elite and lowly craft skills, eagerly incorporated new
industrial materials like steel tubing into furniture-making, and favored
simple geometric constructions. They dreamed of the integration of art and
life. This revolutionary aesthetic angered political leaders of the far
left and far right. Vkhutemas was closed by Stalin in 1930, and the Bauhaus was
raided a few months after Hitler came to power in 1933. The political project
of a better life for workers through design was killed by authoritarian
governments.
But the Bauhaus concept has
been successfully revived in capitalist nations by capitalist entrepreneurs.
Undecorated, geometrically simple, functional yet colorful creations in our
modern lives have their origin in these radical artistic projects. Stackable
chairs with metal skeletons were pioneered at the Bauhaus.
Former Bauhaus teachers like Mies van der Rohe helped create the rectangular skyscrapers of Chicago and founded the Chicago School of Design, which became the Illinois Institute of Technology. The
flat painted cabinet doors of Ikea kitchens look just like the 1920s kitchen
displayed at the Bauhaus Museum.
Seeking general lessons in
history is a dangerous project, but also a tempting one. The failure and
success of the Bauhaus idea might demonstrate that the radical leftists of the
early 20th century produced some wonderful ideas for improving daily
life, but that their social implementation needed capitalist economic
structures. Perhaps in our world, the needs of the majority can only be met if
someone becomes a billionaire.
Steve Hochstadt
Berlin
Published in the Jacksonville Journal-Courier,
February 14, 2017
My dad love Soferia! He bought new couch yesterday. We would recomend this store!
ReplyDeleteThank you for this article, especially the very insightful last sentence. I might turn it on its head (the one who meets the needs of the majority at the right price is the one who becomes a billionaire), but perhaps we are looking at the same phenomenon from different directions.
ReplyDeleteAgain, wonderful article.